Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen. 2 Dweezil Zappa Srh<*

speakers, baskets, drivers, diaphragm replacement kits and passive crossovers) and all Accessories 1 year Tubes and Meters 90 days Cables Limited Lifetime [^Denotes additional warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.] What Peavey Will Do We will repair or replace (at Peavey's discretion) products covered by warranty at no charge for labor or materials. If the product or comp

On the VYPYR tube amplifiers you will find the addition of a Standby switch. This switch allows time to warm up the tubes. Tubes need to be hot in order to produce the desired power and tone. We suggest you allow at least three minutes before turning the standby switch on. A CAUTION: The on/off switch in this unit does not break both sides of the primary mains. Hazardous energy can be present inside the chassis when the on/off switch is in the OFF position. 13 - Bank and Preset Select Your V

TO PREVENT THE RISK OF FIRE HAZARD, REPLACE WITH SAME TYPE 250 VOLT FUSE. AVIS: DANS LE BUT DE REDUIRE LES RISQUES D'INCENDIE OU DE DECHARGE ELECTRIQUE, CET APPREIL NE DOIT PAS ETRE EXPOSE A LA PLUIE OU A L'HUMIDITE ET AUCUN OBJET REMPLI DE LIQUIDE, 120 VAC'V 60 Hr 300 WATTS 0. Fuse The fuse is located within the cap of the fuseholder. If the fuse fails, THE FUSE MUST BE REPLACED WITH THE SAME TYPE AND VALUE IN ORDER TO AVOID DAMAGE TO THE EQUIPMENT AND TO PREVENT VOIDING THE WARRANTY. If th

Just think, 11 pedals you’ll NEVER have to buy! Press the encoder momentarily to enter Edit mode (15). 2 - Amp Encoder Turn this knob to select your amp model. If the LIGHT IS RED you are on the HIGH GAIN CHANNEL. If the LIGHT IS GREEN you are on the LOW GAIN SETTING. Press and HOLD FOR 2 SECONDS to enter tuner mode. The LEDs around the Amp encoder will identify which note you are tuning (or the closest note). At the same time the LEDs around Effects encoder (3) will indicate whether the note

Essentially this causes the flanger to emphasize lower frequencies. Parameter Adjustments: PI Speed, P2 Depth. Slap Back A very quick, short REPETITION of the ORIGINAL NOTE that sounds like the note just “slaps back at ya.” Chicken pickin’ anyone? Parameter Adjustments: PI Time, P2 Mix. Env Filter Short for Envelope Filter this effect is similar to Auto-Wah. The main difference is in the parameter adjustment. With the Env Filter we allow you access to the “Q” (Width of the frequency band Al

BEFORE USING THIS APPLIANCE. READ THE OPERATING GUIDE FOR FURTHER WARNINGS. FRONT PANEL CI I? # Gr >Q Z5 :i 13 C 0 □ Cir^ tJ ,y;i io a "J m □ - * ü E ü Säv^ l)‘J ill ä?s i y-^v : < ©.“3 ® a Bi £ C Ki ° © 5 ■HIGH GAIN INPUT (1) Used for most electric guitars. It is 6 dB louder than the Low Gain input. LOW GAIN INPUT (2) Provided for instruments that have extremely high outputs, which can result in overdriving (distorting) the High Gain input. If both inputs are used s

To adjust, first make sure that nothing is plugged into the amp but the speaker cabinet. Turn the uniton and set the Pre Gain and Post Gain controls at 7 While listening to the speaker closely, gradually rotate the Hum Balance control using a screwdriver until hum is at a minimum. This procedure is required periodically. Reset Hum Balance after tube change. BOOSTER OUTPUT/REMOTE STANDBY (6) A preamp out signal which can be routed to another power amp. When placing a one button on/off switch in

Either channel is capable of driving the other and different effects can be obtained by the combined tone and volume controls. The overdrive feature is utilized in the following manner: A. Plug instrument into either one of the channels. B. Use a well shielded standard patch cord to patch the overdrive jack into the input jack of the other channel. Care should be taken to avoid getting the patch cord too near the speakers as it is possible to create electrical feedback by improper lead placem

Hum and buzz are kept to a minimum by using direct current (DC) to operate the preamp heaters. This method of heater power is used in most professional audio equipment using tubes. One circuit of the preamp uses the classic "passive" type tone controls which tend to produce a flatter sound than the newer feedback type as used in the second channel. Because the passive tone networks tend to be less effective than the feedback type, we have provided more of these type controls to allow better cont