The FireWire output from the computer may be brought back straight into a channel strip for easy mix integration. FireWire aggregation allows multiple Onyx 1220i mixers to be connected. Each mono channel has an Onyx mic preamp, phantom power, an input Gain control with 60 dB of gain, a sharp 18 dB/octave, 75 Hz Low Cut filter, Pan, Mute, Solo, a 60mm fader and a Channel Insert jack for connecting an external processor. There are built-in DIs on the first two channels for direct connection of gui

Installieren Sie das Gerät entsprechend den Anleitungen des Herstellers. 8. I nstallieren Sie das Gerät nicht in der Nähe von Wärmequellen, wie Heizkörpern, Wärmeklappen, Öfen oder anderen wärmeerzeugenden Geräten (inklusive Verstärkern). 9. Setzen Sie niemals die Schutzfunktionen des Schutzkontaktsteckers außer Kraft. Ein Schutzkontaktstecker hat zwei runde Stifte und zwei Kontakte an den Seiten. Vor allem die Kontakte an den Seiten dienen Ihrer Sicherheit. Kleben Sie niemals einen der Kontak

SW0581 Rev. E 04/09 ©2004-2009 LOUD Technologies Inc. All Rights Reserved. Operation Guide » Operation Guide BIG KNOB Introduction Thank you for choosing the Mackie Big Knob, your signal routing and monitoring solution for your DAW-based studio. Big Knob provides a control room matrix and the basic features of an expensive mixer, but tailored for the requirements of your DAW (Digital Audio Workstation) environment. These features include selecting up to four separate stereo input sources,

Each mono mic/line channel has an input Gain control with 45 dB of gain, a sharp 18 dB/octave, 100 Hz Low Cut filter, a 3-band EQ with sweepable midrange, two Aux sends with pre/post switch and two EFX sends, Pan, Mute, Solo, assign switches, a 60mm fader and a Channel Insert jack for connecting an external processor. The stereo line-in channels have all the same features as the mic/line channels except no low cut filter, an input Gain control with 40 dB of gain, 4-band fixed frequency EQ, and n

*1 1 • * Jfr f /'à - ▼ ▼ Jr "ORé# t? Zmi ^ w%■&wm W WA ▼1-'^ 16-channel live sound mixer * Available in 12-, 16- and 20-channel versions, the Mackie CFX Mkll mixer is primarily designed for use in small to medium live-sound systems, but has some potential recording applications too. Although compact, it is still spacious enough not to feel cluttered, and conforms pretty closely to what we've come to expect from Mackie, combining the familiar look and feel of the line with surface-moun

Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with dry cloth. 7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A p

(Remember, when the live record switch is pushed in, the RCA main outs are not affected by the main level control.) 33. BOOTH LEVEL This knob adjusts the output level at the booth outputs [8]. 34. STEREO/MONO With this switch up, the booth outputs [8] provide a stereo left and right output of the main mix. Push the switch in to combine the left and right signals to mono if you only have one booth monitor speaker. 35. FX SEND LEVEL This knob controls the amount of signal being sent to FX send out

TheXLRoutputsarewiredasfollows: Pin 1 = Shield or ground Pin 2 = Positive (+ or hot) Pin 3 = Negative (– or cold) Like the inputs, the routing for the 32 returns on the DS3232 is configured by the mixing console. Generally, this will be done in the Setup window for the expansion cards where the U100 Network card is installed. In the case of the TT24, there is no configuration required for the returns. Rear Panel All the connection points (other than the power cord) are located on the front panel

The audio mixer shall have a rack-mountable frame which accommodates 16 stereo input channels, 2 main output channels and 2 alternate output channels. Each input channel shall be capable of accepting either stereo or monaural signals, and shall be fitted with stereo level, equalization, balance, solo, muting and auxiliary send controls, level-indicating (-20) LEDs and overload (O/L) LEDs. Input channels 1 through 4 shall each be fitted with left and right insert jacks. The main output channels s