Then tighten both screws. 3. As shown in the illustration, lightly press in on the screw A securing the lock plate to the arm, then gently lift the module using the handle located on the rear panel and release it. The module will slowly pivot down. 1. If the module is lying flat in the storage position, raise it Module removal as described in steps 1–5 of “Raising the module.” Be careful not to pinch your hand between the module and the keyboard assembly. 2. Disconnect the cable plug (L-shaped p

Main features • The EA-1mkII features analog synthesizer-like operation that lets you create a versatile range of sounds using two parts (each part with 2 OSC, 1 Filter, 1 Amp, and 3 Effects). By combining the two synthesizer parts you can create unique sequenced phrases • By using an external input as an oscillator, you can use the EA-1mkII as a filter bank with powerful resonance. Ring, Sync, and Cross functions allow oscillators to modulate each other. • The Motion Sequence function lets you

With four AA batteries installed, or the optional adaptor connected to the Power Supply Input, connect your guitar/bass to the INPUT jack on the rear panel. 2. Set the Function Selector knob to “PROGRAM” and lower the MASTER output level of the AX5 using the Value Knob. 3. Connect your headphones, mixer, or amplifier to the OUTPUT jack on the rear panel; then use the Value Knob to raise the MASTER level, increasing the volume. 4. Tune up! Step on the Program Up and Down Switches simultaneously t

Assigning an effect parameter to the expression pedal using the quick assign feature is easy: 1. First choose an effect type by turning the Function Selector to the appropriate effect section. Let’s choose Delay/REV. 2. Use the Write (“UP”) & Cancel (“DOWN”) Buttons to select an effect. In this case, let’s go with F4 (PP delay). 3. Turn the Function Knob clockwise one position to PARAM. Use the Write (“UP”) & Cancel (“DOWN”) Buttons to select “P2” (Feedback). Note: You should notice that the Pro

Value Meaning L64 Hard Left C00 Center R63 Hard Right 2. If you are in Layer or Split mode, press SCROLL • again to go to select the L (Layer/Left) parameter (only available in Layer or Split mode): Pan 2 M:R07 • L:L07 3. While the Layer/Left (L) part is selected, use the +/YES and -/NO buttons to select a different value. 4. Press the EXIT button to return to the Main page and save the changes (see “Exit from the Sound edit mode” on page 38), or the SCROLL • button to go to the next edit page

Typically, the aim is to make the listeners feel as though they are "really there", listening to the original performance, but you can often use pan positions for special effects, and an unnatural pan position (or change to the pan position) is an attention-grabber. Remember that people listening on mono equipment (AM radio, etc.) won't hear the benefits of this, though. Making the mix When you've adjusted the level, you should: 1 Rewind the CR-4 tape to a little before the start of your reco

This step by step tutorial will walk you through the process. For this tutorial we will record a track 5 from the CD on to tracks 3 and 4 of the hard disk recorder. This recording will be Stereo (2 tracks); if a Mono recording is desired only use one track. 1. Insert the Audio CD into the drive. 2. Press the INPUT button and select the input icon for track 3 and set it to CD-L. 3. Select the input icon for track 4 and set it to CD-R. 4. Slide the faders for tracks 3 and 4 up to 0 and set th

The D-series recorders burn the data that is currently on tracks 1 and 2, so that means if one wishes to burn an entire mix, it would have to be first bounced to those two tracks. “But what if I already have data on tracks 1 and 2?” The good news is that the entire mix (including the data that’s already on tracks 1 & 2) can be recorded or “bounced” without losing tracks 1 and 2. This info is simply merged together. This tutorial explains how to bounce the tracks and burn an audio CD. First, we

So now, you can finally PROduce at the hottest studio in town - yours. COMING IN APRIL - Version 2 OS with more simultaneous record tracks at 24-bit resolution, a new Noise Reduction function, the ability to load backup data from other D-Series recorders and much more! ider event iding audio formats) • xpander, 8 >g input board. , PXR4, CR-4.

Record. PROd uce With the new D32XD and D16XD (Xtended Definition) digital recording studios, Korg has all but erased the line between "home" recorders and full-blown professional studio hardware. The easy-to-use XDs deliver true pro sound, advanced mixing, editing and recording features and built-in CD-RW burners - right at your fingertips using Korg's intuitive TouchView interface. So now, you can finally PROduce at the hottest studio in town - yours. COMING IN APRIL - Version 2 OS with more