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Фрагмент инструкции
The following table shows the EQ type, frequency, and maximum cut/boost for each of the three bands. Band Type Frequency Maximum Cut/Boost HIGH Shelving 10 kHz ±15 dBMID Peaking 2.5 kHz LOW Shelving 100 Hz AAUX (AUX1) Control Adjusts the level of the signal sent from the channel to the AUX (AUX1) bus. The knob should generally be set close to the t position. On stereo channels, the signals from the L (odd) and R (even) channels are mixed and sent to the AUX (AUX1) bus. NOTE To send the signal to the buses set the ON switch to on ( ). BAUX PRE Switch Selects whether the pre-fader or the post-fader signal is fed to the AUX (AUX1) bus. If the switch is on ( ), the mixer sends the pre-fader signal (the signal immediately prior to the Channel fader I) to the AUX (AUX1) bus, so that AUX (AUX1) output is not affected by the fader. If the switch is off ( ) the mixer sends the post-fader signal to the AUX (AUX1) bus. CEFFECT (AUX2) Controls Adjusts the level of the signal sent from the channel to the EFFECT (AUX2) bus. Note that the signal level sent to the bus is also affected by the Channel fader. On stereo channels (5/6, 7/8, 9/10, or 11/12), the signals from the L (odd) and R (even) channels are mixed and then sent to the EFFECT (AUX2) bus. DPAN Control (1 to 4) PAN/BAL Control (5/6 and 7/8) BAL Control (9/10 and 11/12) The PAN control determines the stereo positioning of the channel signal on the Group 1 and 2 buses or on the Stereo L and R buses. The BAL control knob sets the balance between left and right channels. Signals input to the L input (odd channel) go to the Group 1 bus or to the Stereo L bus; signals input to the R input (even channel) go to the Group 2 bus or the Stereo R bus. NOTE On channels where this knob provides both PAN and BAL control (channels 5/6 and 7/8), the knob operates as a PAN control when input is received via the MIC jack or L (MONO) input only, and as a BAL control when input is received via both L and R inputs. EON Switch Turn this switch on to send the signal to the buses. The switch lights orange when on. FPFL (Pre-Fader Listen) Switch This switch lets you monitor the channel’s pre-fader signal. Press the switch in ( ) so that it lights to turn it on. When the switch is on the channel pre-fader signal is output to the PHONES and MONITOR OUT Ijacks for monitoring. G1-2 Switch This switch assigns the channel’s signal to the Group 1 and 2 buses. NOTE To send the signal to the Group buses engage the ON switch ( ). HST Switch This switch assigns the channel’s signal to the Stereo L and R buses. NOTE To send the signal to the Stereo buses engage the ON switch ( ). IChannel Fader Adjusts the level of the channel signal. Use these faders to adjust the balance between the various channels. NOTE Set the fader sliders for unused channels all the way down to minimize noise. MG124CX/MG124C Owner’s Manual 13 Front & Rear Panels Reference Front & Rear Panels Reference 12TR IN Jacks Master Control Section These RCA pin jacks can be used to input a stereo sound source. Use these jacks when you want to connect a CD player directly to the mixer. NOTE You can adjust the signal level using the 2TR IN control in the Master Control section. 2REC OUT (L, R) Jacks These RCA pin jacks can be connected to an external recorder such as an MD recorder in order to record the same signal that is being output via the STEREO OUT jacks. The mixer’s STEREO OUT Master Fader has no affect on the signal output via these jacks. Be sure to make appropriate level adjustments at the recording device. NOTE 3RETURN L (MONO), R Jacks These are unbalanced phone-jack type line inputs. The signal received by these jacks is sent to the STEREO L/R buses and the AUX (AUX1) bus. These jacks are typically used to receive the signal returned from an external effect device (reverb, delay, etc.). NOTE These jacks can also be used as an auxiliary stereo input. If you connect to the L (MONO) jack only, the mixer will recognize the signal as monaural and will send the identical signal to both the L and R jacks. 4SEND Jacks •AUX (AUX1) This is an impedance balanced* phone-jack type output. This jack outputs the signals from AUX (AUX1) bus. You can use this jack, for example, to connect to an effect unit, cue box, or other monitoring system. • EFFECT (AUX2) This is an impedance balanced* phone-jack type output that outputs the signal from the EFFECT (AUX2) bus. You can use this jack, for example, to connect to an external effect unit. 5STEREO OUT (L, R) Jacks These jacks deliver the mixer’s stereo output. You can use these jacks, for example, to connect to the power amplifier driving your main speakers. You can also connect these jacks to a recording device when you wish to record mixer’s stereo output while using the STEREO OUT Master fader for level control. • XLR jacks XLR-type balanced output jacks. • LINE jacks TRS phone-jack type balanced outputs. 6GROUP OUT (1, 2) Jacks These impedance-balanced* phone jacks output the Group 1/2 si...
Эта инструкция также подходит к моделям:Музыкальные инструменты - MG124CX (1.4 mb)