The signal is then controlled via the CH-1 and CH-2 faders (4). • The XDM-343 features three microphone inputs. The Canon Mic 3 jack (10) on the front panel is for 1/4” (6.3mm) jack plugs and XLR-plugs. With the TALKOVER switch (1 1), you can attenuate all other signals without affecting the microphone volume. The XDM-343 also features two more 1/4 inch (6.3mm) Mic jacks (27, 28) on the rear panel. You can adjust the microphone volume using the CHANNEL faders. Make sure that the respective PHONO

Use ZONE 1 / ZONE 2 VOLUME (23) and ZONE BASS & TREBLE (24) knobs to control the output signal for their respective ZONES. ZONE 1 & ZONE 2 each have their own MONO/STEREO SWITCH (26). ZONE 1 output is the same as MASTER program (31), while ZONE 2 is selectable from any of the 4 channels (17) or PROGRAM MIX (PGM) (19). (26) ZONE 2 ASSIGN -ZONE 2 may be assigned to any of the 4 channels (17) or PROGRAM MIX (PGM) (19). (27) SEND CONTROL -Controls output to effects (ie. echo boxes, phasers, reverb,

Main Features • Equipped with high quality Crossfader (Replaceable) • VCA Fader for Q-Start Control • Adjustable Crossfader Curve - changes from a normal curve to a quick curve (for crabbing) • Multi-Channel Assignable Crossfader • 2 Headphone Outputs • Selectable Voltage 115v~230v • 3 Channel Mixer • 3 Phono, 3 Line, 3 Auxiliary Inputs • 3 Microphone Input - (1) XLR/ 1/4" combo plug, (2) 1/4" Input Jacks • Fader "Q" Start on all three channels • On/Off Switch Controls Fader "Q" Start Function (

Channels 1 and 2 may be switched PHONO or LINE. Use “LINE” for line level devices such as CD players and tape decks. Use “PHONO” for magnetic turntables only (DJ turntables). CHANNEL GAIN LEVEL (13) - The channel gain levels are not to be used as volume controls. Never use the channel trim to set the output volume. These controls are used to aid in distortion control. Use these control to preset your signal level before the crossfader. With your channel faders in the maximum position, use the ch

Do not permit operation by persons not qualified for operating the unit. Most damages are the result of unprofessional operation! • Do not attempt to operate this unit if the power cord has been frayed or damaged. • Disconnect from main power before making any type of connection. • Do not attempt to operate this unit, if it becomes damaged in any way. • Never operate this unit when it’s covers are removed. • To reduce the risk of electrical shock or fire, do not expose this unit to rain or moist

Note: Make sure the squelch on the receiver is turned the minimum. Microphone Set Up 1. Unscrew the bottom part of the microphone. The battery compartment is located inside of the microphone. Insert two AA batteries. 2. Screw the bottom of the microphone back into place. Connecting the Receiver Output 1. You can connect the receiver to a output source using a cable with an 1/4’’ jack or 3-pin XLR female connection. 2. Connect one end of the cable to the receiver, and the other end into the mic o

6. After all the units settings have been set and are plugged in, adjust the sensitivity knob on the bottom of the master unit to make them react to sound. 7. To run a synchronized light show set all the dipswitch on all the fixture to the ‘off’ position. All fixtures will now run in the same exact pattern. 8. You can also use the optional MINI/C Remote Control. If you want to use the optional remote control, connect the MINI/C controller to the first fixture in the line (master). Note: The remo

CHANNEL 2: PHONO 2 INPUT/AUX 2 JACKS - The type of input must directly reflect the selected mode of the LINE LEVEL SELECTOR SWITCH (24). Connect turntables equipped with MM pickup cartridge to PHONO inputs (All DJ turntable use MM pick-up cartridges). CD players or Tape Decks and other line level instruments may be connected to these jacks as long as the Line Level Selector Switch (29) is in the “AUX 2” position. The red colored RCA jack represents the right channel input and the white represent

The monitor signal comes from the Prefader. This means it will not be affected by the channel faders. You can monitor each channel individually. Connect your headphones to the HEADPHONES jack. Turn the CUE MIXING CONTROL to CUE and select the desired channels with the PFL switches. When you turn the CUE MIXING CONTROL to PGM (PFL switches without function), you can cue the output signal of the mixer. If the CUE MIXING CONTROL is set to the center position, you can cue both the channel signal you

Turn the knob in a clockwise direction to increase the headphone volume. 28. TRUE BASS LEVEL - This knob is used to control the amount of "TRU BASS" process is applied to the output source signal. 29. HEADPHONE JACK -This jack is used to connect your headphones to the mixer allowing you to monitor the cue source. Use headphones only rated at 8 ohms to 32 ohms. Most DJ headphones are rated at 16 ohm, these are highly recommended. Always be sure the Cue Level Volume (27) is set to minimum before y