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Фрагмент инструкции
It may be worth a try whenever the success of your project depends on another eight inputs. Additional effect sends. In mixdown, if additional Aux Sends are required, the AUX SEND 5-6 control of each input module can be used as extra stereo send buses. Connect the MONIOUT/AUX SEND 5-6 jacks to the stereo inputs of your SPX1000 etc. and feed its stereo outputs back to the RM800 by connecting them to two (preferably adjacent) input modules or the ST SUB IN jacks. Note: The use of AUX SEND 5-6 for additional effects means that you can no longer take advantage of the 2 x 16 (or 2 x 24) setup as that would mean that the signals fed to the MIC/LINE connectors would also be processed by the fifth effects processor. RM800 User's Cuide 22 System Examples Tip: On the 24-channel version, you could use input modules 9—16 to feed multitrack A. Simply connect the signal sources to the MIC/LINE 9-16 inputs and route those signals to Croups 1-8. Again, for clarity's sake, we strongly advise you connect multitrack A's outputs to the TAPE IN 9-16 jacks. Two 8-Track Recorders 1. See page 17 for how to connect the first 8-track recorder (recorder A). GROUP OUT Multitrack A In Multitrack A Out TAPE IN 1 1 1 1 2 2 2 2 3 3 3 3 4 4 4 4 5 5 5 5 6 6 6 6 7 7 7 7 8 8 8 8 2. Set all GROUP/DIRECT switches (rear panel, below the channel 9-16 or 17-24) section) to 'Direct'. This is necessary to disconnect the Group signals from the TAPE SEND (GROUP OUT/DIRECT OUT) -lOdBV outputs. 3. Connect the TAPE SEND (CROUP OUT/DIRECT OUT) jacks 9-16 (or 17-24) to inputs 1-8 of multitrack B. 4. Connect outputs 1-8 of multitrack recorder B to the TAPE IN -lOdBV connectors 9-16 (or 17-24). DIRECT OUT Multitrack B In Multitrack B Out TAPE IN 9 (or 17) 1 1 9 (or 17) 10 (or 18) 2 2 10 (or 18) 11 (or 19) 3 3 11 (or 19) 12 (Or 20) 4 4 12 (or 20) 13 (or 21) 5 5 13 (or 21) 14 (or 22) 6 6 14 (or 22) 15 (or 23) 7 7 15 (or 23) 16 (or 24) 8 8 16 (or 24) 5. Connect the signal sourcesfor tracks 1-8 of multitrack B to the MIC/LINE jacks of modules 9-16 (or 17-24). Operation is the same as for one 8-track recorder (see page 17). Just bear in mind that the signals of inputs 1-8 (or 9-16) are routed to the Group outputs, while modules 9-16 (or 17-24) are routed to their respective TAPE SEND connectors. Thus, there is no need to assign input modules 9-16 (17-24) to a Group. As a matter of fact, doing so would route the corresponding signals to multitrack A, which is not what we want. 16-Track Recorder See “Two 8-Track Recorders” and substitute ‘tracks 1-8 of multitrack B’ with ‘tracks 9-16’. RM800 User's Cuide Other aspects to consider 23 24-Track Recorder The RM800 does not allow simultaneous discrete recording onto 24 tracks, yet there is a way to record up to 16 tracks in one pass and still route all tape' returns to the 24-channel version of the RM800 for permanent playback and mixdown control. That is not a flaw, by the way. Even the biggest mixing consoles in the world have more inputs than there are tape outs. A workable 24-track setup requires an 8-ins/16-outs patch-bay connected to the GROUP OUT connectors. The 16 patch-bay outs need to be connected to 16 inputs of the multitrack recorder(s), while the 8 ins of your patch-bay must be connected to GROUP OUT 1-8. Again, you may want to connect output 1 of the patch bay with input 1 of your multitrack, ‘2’ with ‘2’, and so on. Connect the outputs of your multitrack with the TAPE IN jacks 1-24 of your RM800. Working this way means that you will not be able to record onto tracks 1 and 9,2 and 10... 9 and 16 simultaneously, but then again, the fact that you have eight Groups and a flexible assign matrix (i.e. there is no need to assign input module 2 to Group 2 - choose any assignment you need) means that you can work efficiently. Just remember to patch the GROUP OUTs to the right multitrack inputs. Connect the TAPE SEND (GROUP OUT/DIRECT OUT) 17-24 connectors to the remaining eight track inputs and feed the tape outs of the multitrack to the TAPE IN connectors of these modules (17-24). Other aspects to consider Microphones Microphones, especially those that require phantom powering must be connected to MIC/LINE inputs 9-16 (or 17-24 on RM800-24). Set the PHANTOM power switch (rear panel, below the POWER switch) to the ‘On position. Note: When the PHANTOM power switch is on, +48V is present at all 8 (9-16 or 17-24) MIC/LINE XLR connectors. Be careful not to damage other signal sources that may be connected to the XLR connectors. For security reasons, we strongly suggest you disconnect all signal sources that do not require phantom power before setting the PHANTOM power switch to the ‘On’ position. Microphone positioning is a crucial aspect for professional sounding recordings. As a rule, the angle and distance at which the microphone is positioned with respect to the signal source determine the sound that will be recorded. Before deciding to correct the frequency response ...
Эта инструкция также подходит к моделям:Музыкальные инструменты - RM800-24 (9.48 mb)