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Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND). *2. Insert phone jacks (TRS) are unbalanced (Tip=out, Ring=in, Sleeve=GND). *3. Phone jacks are unbalanced. • In these specifications, when dB represents a specific voltage, OdB is referenced to 0.775 volts RMS, for TAPE SEND dBV represents a specific voltage, OdBV is referenced to 1 volt RMS. • All specifications subject to change without notice Dimensions CH 16 24 W2 668 908 W1 767 1007 W 807 1047 RM800 User's Cuide Glossary 37 Glossary AFL (After Fader Listen)—A term used for the solo function of the Groups on your RM800. The term after fader indicates that the selected solo signal is sourced after the faders and thus includes the level setting of that fader. As a result, you will hear nothing if a fader is set to minimum. See also PFL and Solo. Bus—In an audio mixer, a common conductor used to collect and distribute signals. RM800 has the following buses: GROUP 1-8, AUX 1-4, MON/AUX 5-6, STEREO, and PFL/AFL. Clipping—Clipping means that a given signal starts distorting, which is usually due to an excessive gain or level setting. Confidence monitoring—Monitoring directly from a recording medium to make sure that program material is being recorded correctly. On an analog tape recorder, signals are picked up by the playback head immediately after being recorded to tape by the record head. This allows for confidence monitoring. It is not possible on a tape recorder with combined record and play heads. A DAT must have 4 heads (inside one drum) for confidence monitoring. Cue—A term used to describe the signal a musician hears in his headphones while recording. The ‘cues’ are, of course, the signals already recorded or coming from synthesizers, modules, etc. controlled by a synchronized sequencer. Cue mix—The cue mix is the mix (i.e. the balance) of all signals sent to the headphones. Depending on the musician, the balance of the available signals needs to be changed (i.e. more kick for a bass player, more HiHat and snare for the rhythm guitarist, etc.). Dynamic range—The difference between the loudest and quietest signal levels in a system. In an audio device, usually the difference between the maximum output level and the residual noise floor. EQ- Short for equalizer. An equalizer consists of a series of level controls that allow you to reduce or increase the level of a set (or selectable) frequency range, as opposed to general level controls (such as the channel faders) that set the volume of all frequency ranges. On a lot of mixers, the high and low frequencies that can be boosted or cut are fixed, while, the middle frequencies to be boosted or cut are selectable. Foldback— See Cue Mix. Group—A Group on a mixing console is a bus and level control or fader to which you can assign several channels (using the 1-2,3-4,5-6, and 7-8 switches), so that the level of all signals assigned to a Group can be modified with one fader. Working with Groups allows you to increase (or reduce) the level of an entire drum kit without modifying the balance of the individual channel faders. Headphone mix— See Cue Mix. In-Line Mixer— A mixing console consisting of two layers: one fitted with EQ and extensive effect send facilities, while the second layer is a type of line mixer with basic control functions (level, pan, one effect send). LED (Light Emitting Diode)—An electronic component that lights up when an electric current is applied. RM800 PEAK and SIGNAL indicators are LEDs. MIDI—An acronym for Musical Instrument Digital Interface. An internationally agreed standard that allows electronic musical instruments to communicate with each other. Monitor mix—In most situations, the monitor mix is the same as the Cue mix. The term is actually used to signify the signal balance that is heard in the control room (i.e. the room where the RM800 is being operated). Nominal level—Nominal literally means ‘as is’. Applied to audio, it means that the level of the received signal is neither raised nor reduced. Setting a channel fader to ‘O’, for example, means that the signal level equals the value set with the GAIN control (and PAD switch). Pan—Short for panorama. In audio, this term is used to signify the position of a signal between the left and right speakers (or channels). Patchbay—Usually a 19” multiple connection box that allows you to use short cables (usually jack-^jack or mini-jack->mini-jack) to establish connections between inputs and outputs without changing the connections on the receiving and transmitting devices. The outputs of one device (e.g. the GROUP OUTs of your RM800) and inputs of the receiving RM800 User's Cuide 38 Glossary device (e.g. the TAPE INs of your multitrack) are permanently connectedio the female jacks of the patchbay. A connection between an output and an input can only be established using a cable between these two female jacks on the patchbay. Electronic patchbays no longer require ‘physical’ cable connections. P...
Эта инструкция также подходит к моделям:Музыкальные инструменты - RM800-24 (9.48 mb)