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Фрагмент инструкции
A great distorted rock guitar sound. Classic® The Peavey Classic 50® is one of the most successful amps of all time. With its responsive gain structure and warm/punchy tone Classic® series guitar amps are revered by gritty blues benders, chicken pickin’ country cats and nouveau-Stones rockers alike. Green Channel: Clean channel using normal input and presence control at 7. Red Channel: Lead channel using normal input and presence control at 7. XXX The Peavey Triple XXX® is considered by many the ULTIMATE tone machine. As hot as the name implies, the XXX rips. An amp not for the faint of heart Ultra and Crunch channels utilize active Bottom, Body, and Hair (lo, mid, hi) controls. Green Channel: Triple XXX clean channel, damping set to medium. Red Channel: Triple XXX Ultra channel, damping set to medium, JSX® Peavey and Joe Satriani set out to create an amplifier that would give the widest range of EQ options and gain structures possible. Green Channel: JSX 212 Combo Crunch channel, presence 6.5, resonance 9. Red Channel: JSX 212 Combo Ultra channel, presence 6.5, resonance 9. Amp Encoder 6505® The 6505 Series amps are the undisputed go-to guitar amps for scores of rock, hardcore and metal bands due to their raw tone, relentless power and road-proven reliability. The 6505 is still the unquestionable choice for an ever-expanding list of endorsers and has become the sound of metal the world Green Channel: 6505 Plus Crunch channel, presence at 7, resonance at 7. Red Channel: 6505 Plus Lead Channel, presence at 7, resonance at 7. The Rec is a high-gain amp model with smooth (almost liquid) distortion. Although this amp doesn’t have quite the gain of the 6505, it still has unique tone characteristics that some players iind desirable. Green Channel: “Orange” channel, presence on 3. Red Channel: “Red” channel, presence on 3. K-Stein Similar to the Rec, but with unique characteristics due to the 5881 power tubes in the modeled amplifier. Green Channel: Crunch version of high gain channel, presence at 12 o’clock, sweep 12 o’clock. Red Channel: High-gain channel, presence at 12 o’clock, sweep 12 o’clock. DZL A unique high-gain amplifier with a distinct bump in the low end around 80 Hz. Green Channel: Channel 2, presence at 12 o’clock, Deep at 12 o’clock. Red Channel: Channel 4, presence at 12 o’clock, Deep at 12 o’clock. fects Encoder The THIRD encoder from the left is the EFFECTS SELECTOR. This encoder selects any desired “rack” effect. The term Rack Effect is used to identify effect devices that would typically be found connected to the effects loop on an amplifier. These units are commonly designed to fit in a 19” wide rack, thus “rack effects.” These effects are usually POST INPUT, post EQ and SOUND DISTINCTLY DIFFERENT than PREamplifier effects (Stompboxes). To select your effect, simply turn the encoder so the LED is adjacent to the effect you desire. Octaver Just as the name implies, this effect will produce a tone one ...
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