Оценок - 2, средний балл: 5
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Our 2 Achieve Super High Resolution in Videoand Still Image Recording 3CCD The GL2 maximizes the capability of the DV format by using a 3 CCD system assigning a separate CCD to each primary color (red, green, blue). A beam-splitting prism precisely separates the light passing through the lens into individual color components, and each is sent to its own CCD. This process achieves outstanding detail with highly accurate color reproduction suitable for the demands of the high-end production field - wide dynamic range, low color noise, natural color resolution and low aliasing. Pixel Shift Canon solves common shooting dilemmas by using a signal processing technique called Pixel Shift, which has been used in professional grade video cameras for many years. It achieves wider dynamic range, reduced vertical smearing and sharper digital still images. The green component of a video signal contains 60% of the picture detail, and the red and blue components comprise only 40%. The green CCD in the GL2 is shifted vertically and horizontally the equivalent distance of 1/2 pixel from the red and blue CCD. The green signal is then sampled more frequently to extract the maximum picture detail from the video signal. This allows the GL2 to achieve resolution equal to camcorders with nearly twice as many pixels in video recording. Professional L-Series Fluorite Lens Canon has satisfied the demands of experienced image makers for years through the power, design and quality of 35mm and broadcast TV lenses. Our Professional L-Series lenses utilize Fluorite, a material which provides outstanding resolution, contrast and color reproduction, especially in lightweight, high- magnification lenses. Now incorporated into the lens on the GL2, Image stabilizer ON Image stabilizer OFF CCD R CCD G CCD B Fluorite Lens Image Stabilizer OFF Image Stabilizer ON Vari-angle Prism 20x Zoom Lens with 100x Digital Zoom The GL2 incorporates a 20x Professional L-Series Fluorite optical zoom lens which transforms distant subjects into dramatic close- ups. The 20x optical zoom is the 35mm focal length equivalent of 39.5 to 790mm. The digital zoom, capable of extending to 40x and a maximum of 100x, provides sharper detail compared to others thanks to Canon’s superior lens quality. You’ll reveal details too distant to be seen with just the eye alone. At full telephoto the 35mm focal length equivalent is an amazing 79,000mm. Add the optional WD-58H Wide-converter to increase the field of view by 0.7x for indoor shots or panoramic views. 40x Digital 20x Zoom ... plus wide-converter 100x Digital Optical wide angle Fluorite lens Conventional optic lens Fluorite lens precisely controls components of light providing an excellent balance of these three critical ingredients of picture quality. This is unobtainable with conventional optical glass. Optical Image Stabilizer Canon’s superb optical stabilization system corrects camera shake instantly so even hand-held shots, at full telephoto, and shots taken from a moving car, are smooth and steady. And since it is optical, there is no loss of image quality inevitable with electronic image stabilizers. It perfectly complements the high picture quality of the DV format. reliable professional performance. Offering the highest level of control, the camera fully compliments one's vision and passion for excellence. Its advanced feature set allows users to handle even the most challenging tasks with confidence and ease. The Ultimate In 16:9 Aspect Ratio The GL2 is equipped with two 16:9 aspect ratio methods. 16:9 Guides The 16:9 guides are thin white lines, which appear in the display only. They let you view a 16:9 wide screen composition while in the standard 4:3 aspect ratio, which is especially helpful if you're planning to transfer your DV footage to film. 16:9 Recording Mode The GL2 includes a 16:9 recording mode, which applies an electronic anamorphic stretch allowing you to fill the frame of a 16:9 wide screen TV. 3 Shooting Modes The GL2 has three shooting modes to accommodate any of your recording needs. Normal Movie Mode By merging Canon’s superior lens quality with 3 CCDs, the GL2 delivers stunning resolution and color reproduction - some of the best images outside of a TV studio. This mode records video in the standard interlaced fashion similar to conventional camcorders. Normal Movie Mode is ideal for recording video which appears smooth and natural during playback on a TV or video editing computer. Digital Photo Mode (1.7 Megapixel High Resolution Photos) suit your needs. Capture up to 10 stunning 1.7 megapixel (1488 X 1128 pixel) images onto the included 8MB SD Memory Card. Images may be also captured at VGA (640 X 480 pixel) in standard or fine compression. For added flexibility, you may take up to 700 still pictures on a Mini DV single tape (in SP mode). The camera records the still pictures for approximately 6 seconds, as well as recording the sound for your verbal notes or narration. You can search thr...