Then tighten both screws. 3. As shown in the illustration, lightly press in on the screw A securing the lock plate to the arm, then gently lift the module using the handle located on the rear panel and release it. The module will slowly pivot down. 1. If the module is lying flat in the storage position, raise it Module removal as described in steps 1–5 of “Raising the module.” Be careful not to pinch your hand between the module and the keyboard assembly. 2. Disconnect the cable plug (L-shaped p

Value Meaning L64 Hard Left C00 Center R63 Hard Right 2. If you are in Layer or Split mode, press SCROLL • again to go to select the L (Layer/Left) parameter (only available in Layer or Split mode): Pan 2 M:R07 • L:L07 3. While the Layer/Left (L) part is selected, use the +/YES and -/NO buttons to select a different value. 4. Press the EXIT button to return to the Main page and save the changes (see “Exit from the Sound edit mode” on page 38), or the SCROLL • button to go to the next edit page

Program change You can transmit MIDI program change messages from the LP-350 to switch programs on a connected MIDI device. The LP-350 will also switch programs when it receives MIDI program change messages from a connected MIDI device. For the correspondence between program change numbers and sounds, refer to “program change” below.) Program change transmission Program change transmission Program change reception When the LP-350 receives a program change number 0–29, it will switch to the corre

In addition to providing outstanding sounds, the PA-80 can also accompany your performance, using up to eight additional parts – all packed into a STYLE. These “Styles” provide the basis for the Backing Sequencer. Songs created this way may be saved to disk and recalled, and played back from disk at anytime. Styles can be edited down to the minutest detail – changing the kick drum inside a kit, adjusting the cutoff and resonance of a synth voice, slowing the attack of a string section, or even a

Different degrees of resistance accompaniment parts; plus 2 Fill-Ins, from top to bottom. Velocity sensitive with 6 2 Intros, 2 Endings, and 4 variations per style. touch curves for custom response. • 40,000 note / 8 track sequencer with 100 • TouchView Graphical user interface. song memory. • 412 on-board sounds (Including 16 drum • On-screen “HELP” feature kits) 64-note polyphony. Split and Layer • Stereo Inputs/Outputs and dual headphone functions. jacks. • Two digital effect processors. (37

Locate the power switch on the rear panel, and set it to USB to use the power provided by your computer’s USB bus. You may also set the switch to DC to use the optional 9V power supply. Note: The K-Series will not power up when set to USB unless the computer is on! 2. Connect the USB cable to your computer. 3. K61P only: Connect a pair of audio cables from the rear panel L/R outputs to your stereo monitoring system, or plug stereo headphones to the HEADPHONES jack on the rear panel. D DDr rri ii

. Incredible sounds and addictive grooves, with Korg’s legendary sound design making the most of the M50’s impressive power. . Easy to use interface, with a bright and beautiful TouchView display! . Four Chord Trigger Buttons to trigger notes (up to 8-note chords!), drum sounds and MIDI messages. . Two powerful, polyphonic, programmable arpeggiators that can run simultaneously, with over 900 patterns for expressive, tweak- able performances. . Massive Combinations layer, split and velocity-switc

Connect the included power supply, power-up the microX, and with the VOLUME all the way down, connect the MAIN OUTPUTS (L/MONO and R) on the back panel to your mixer/amp/monitors/interface. You can also connect a 1/8” headphone jack to the front panel. 2. If you are using the microX as a sound source, or as a controller for another piece of gear, make sure that your MIDI IN/OUT cables are connected properly (IN to OUT, OUT to IN). 3. If you are using the microX with a computer, make sure that yo

• MDE-X: 19 great MDE-X plug-in effects (many from the award-winning TRITON-series), in VST and Audio Unit formats. • MS20-FX: The amazing filter from the MS-20 can be used as an audio effect as well! • Stand-alone, VST and Audio Units: Synth stand-alone version as well as VST for Windows XP / VST and Audio Units for Mac OS X provided. Text Box: • Software Synths that sound like hardware: Virtual instruments that are indistinguishable from the original MS-20, Polysix and Wavestation synthesizers

Over 1000 sounds (780 pre-loaded) • Color TouchView Interface. Quick and intuitive - including on screen Help menus • TC-Helicon Vocal Effects + Four Stereo Effect Processors. UPGRADEABLE to include Pitch correction and Vocal Modeling! • Enhanced Style Functions – 608 Style locations (450 pre-loaded) Styles up to 32 bars long with 3 intros, 3 fills, 4 variations and 2 endings. Tap-Tempo, Reset & Fade in/out. • 16 Bit 48kHz Sampling with Auto Time Slice/Extend and more pro editing functions. Load