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There are 3 different effect level and OFF to turn the effect off. Input Selecting Button Key Control Button Effect Level Control Button Master Microphone Volume Master Music Volume Control Menu Button Arrow Keys to navigate in Menu 5 Front Panel View [1]Microphone Volume Control- for #1 & #A(rear) [2]Microphone Volume Control- for #2 & #B(rear) [3]Memory- Use these buttons to recall preset effect settings, to save preferred effect settings, or to reset to default settings. [4]Music Menu- To sel

Ashly shly, the first professionalboundaries Simple, to release a MOS-FETpoweramplifier,MOS-FETamplifiersuse a complemenis proudto introducethe next design. tary, all-discrete Thedriverispure generation,the FET-I500 class-A and, because it has only two Series. During its first littlecompensation stages,requires allow- decade, our original FET ing both speed and linearity with no Seriesbecamea standard for distortion. crossover-notch applicationsrequiringtheutmost in sonic Theoutput stage consist

it shall deliver at least 550 watts into m 8 ohm load. The amplifier shall be immune to damage from shorted. open, or mismatched loads. The amplifier shall have a gain of 29dB t .5dB per channel and an input sensitiviqr of 1.3 Volts ! 20/o lor lull rated output. Frequency response shall be 10Hz Io 2OkHz t .5d8. It shall be stable into any load including pure capacitors and inductors. Hum and noise shall be at least 110d8 below full output and SMPTE intermodulation distoftion shall be less than .

Listed Five-Year Worry-Free Warranty MOS-FET Output Devices Class-A Full Complementary Front End Modular Construction XLR and 1/4” inputs on "M” Models Barrier Strip and 1/4" Inputs on "C" Models Stereo, Mono & Bridging Modes LED meters on "M" models Forced Air Cooling Perfect Overload and Square Wave Response Stable Into Any Load Self-Protecting Under Virtually All Conditions Specifications POWER OUTPUT EIA SPECIFICATION (±1dB <1% THD 20Hz-20kHz) STEREO (Rated Per Channel) 2 o

During its first decade, our original FET Series becâme a standard for applications requiring the utmost in sonic excellence and extreme reliability. We now improve upon that reputation by offering more models with better specifications than ever before. The FET-2000 series is offered in two variations: The FET-2000M features LED meters and balanced XLR or 1/4" inputs. This design is intended for demanding sound reinforcement, broadcast facilities, recording studios, or any application where v

Air Inflow Vents – Cool air enters here 5. Channel Controls – Channel control area 6. Signal LEDs – The lowest LED will begin to light when the output voltage reaches -18dBu below rated output. The Clip LEDs will begin to flash when output voltage is 1/2 volt below the output power supply voltage. 7. Bridge – This LED indicates that the channel pair is selected to BRIDGE mode from the back panel switch, and that only the odd input channel level control is active 8. Temp and Current LEDs – The Te

A parametric equalizer gives unrestricted control of all the notes your instrument can produce. The chart on page 20 shows the relationship between the notes you play and the corresponding frequency number. There should be very little guess work in deciding how you want to equalize your instrument once this chart is used. Most musicians are already familiar with the terminology A = 440 Hz. By learning the numbers of other notes, you take the guess work out of knowing where to set the controls on

ASHLY SC-63 /SC-66A PARAMETRIC EQUALIZERS OPERATING INSTRUCTIONS ASHLY AUDIO INC 2 3 4 4 5 7 8 9 9 11 11 12 12 13 14 14 15 18 19 20 TABLE 0F CONTENTS 1. INTRODUCTION / UNPACKING 2. FRONT PANEL LAYOUT 3. BACK PANEL LAYOUT 4. INPUT, OUTPUT, AND POWER CONNECTIONS 5. EXPLANATION OF PARAMETRIC EQ AND OUR CONTROLS 6. FEEDBACK STEP BY STEP SETUP INSTRUCTIONS 7. NARROW BAND STEP BY STEP SETUP INSTRUCTIONS 8. MEDIUM TO WIDE BAND STEP BY STEP SETUP INSTRUCTIONS 9. APPLICAT

100 FERNWOOD AVE. • ROCHESTER, N.Y. 14621 (716)544-5191 • TOLL FREE (EXCEPT N.Y. STATE) (800)828-6308 TABLE OF CONTENTS Page 1. INTRODUCTION / UNPACKING 2 2. FRONT AND BACK PANEL LAYOUT 3 3. INPUT, OUTPUT, AND POWER CONNECTIONS 3 ,.4. EXPLANATION OF PARAMETRIC NOTCH FILTERS 4 5. THE SC-68'S CONTROLS FILTERS 6 SETUP SYSTEM 7 6. USING THE SC-68 TO REMOVE FEEDBACK 9 7. DEFINITION OF TERMS 11 8. TROUBLE SHOOTING TIPS 14 9. SPECIFICATIONS AND BLOCK DIAGRAM 15 20. GRAPH OF KEYBOARD / MUSIC