Производитель: Yamaha Размер: 983.47 kb Название файла: Язык инструкции:

Перейти к скачиванию

Vocal Harmony Parameter List (PSR-S970) / Liste der Vokalharmonie-Parameter (PSR-S970) / Liste des paramètres liés à l’harmonie vocale (PSR-S970) /
Lista de parámetros de armonía vocal (PSR-S970)
Default
Default
Setting of
Setting of
Category
Type Name
Description
MSB
LSB
Vocal
Vocal Effect
Harmony
On/Off
On/Off
Synth Vocoder
ChoirWithYou
Choir oriented synth vocoder. You can hear your own voice as well.
13
5
On
On
Organ
oriented synth vocoder sound.
13
6
On
On
Sweeping
Produces a sweeping sound image.
13
7
On
On
Atmosphere
Pad oriented synth vocoder sound with soft pad sound.
13
8
On
On
AmbientFX
Richly textured sound.
13
9
On
On
Thru
Bypass without any harmonies and effects.
64
0
Off
Off
Chordal Type List
Type Name
Description
2Abv&1Blw.Simple
Harmony based on 3-tone chord, 2 above and 1 below; suitable for backing chorus parts. Basically it generates harmonies within an octave.
1Abv&2Blw.Simple
Harmony based on 3-tone chord, 1 above and 2 below; suitable for backing chorus parts. Basically it generates harmonies within an octave.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Basically it generates open harmonies
1Abv&2Blw.Open
of an octave or more.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Basically it generates open harmonies
1Abv&2Blw.OpenPara
of an octave or more. It includes the effect of creating parallel motion of a half tone in certain conditions.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Basically it generates open harmonies
1Abv&2Blw.OpenBlues
of an octave or more. Since it adds a major second as a scale tone to harmony during 7th chords, it provides a passing tone during 7th chords. Suitable for 3-
tone chord blues or for country rock in major keys. There are cases where it is not suitable during 7th chord in minor keys.
1Abv&1Blw+UnsD.Simple
Harmony suitable for a trio based on 2-tone chord, 1 above and 1 below (+ Oct. below the input pitch); it is suitable for backing chorus parts.
Harmony based on 3 total tones from chords and scales, 3 below; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
3Blw.Closed
is unsuitable for low input pitch, because the harmonies are low.
Harmony based on 3 total tones from chords and scales, 3 below; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
3Blw.ClosedPara
is unsuitable for low input pitch, because the harmonies are low. It includes the effect of creating parallel motion of a half tone in certain conditions.
Harmony based on 3 total tones from chords and scales, 3 below; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
is unsuitable for low input pitch, because the harmonies are low. Because it adds the major second as the scale tone to harmony during 7th chord, it provides
3Blw.ClosedBlues
a passing tone during 7th chords. Suitable for 3-tone chord blues in major keys or for country rock. There are cases where it is not suitable during 7th chord in
minor keys.
2Blw+Bass.Chordal
Harmony based on 3-tone chord, 2 below and a chord root; it is suited for backing chorus parts.
2Blw+UnsD.Modal
Harmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ Oct. below the input pitch); it can produce a feeling of movement.
Harmony suitable for a trio based on 2 total tones from chords and scales, 2 below (+ Oct. below the input pitch); it can produce a feeling of movement.
2Blw+UnsD.ModalBlues
Because it adds a major second as a scale tone to harmony during 7th chords, it provides a passing tone during 7th chords. Suitable for 3-tone chord blues
or for country rock in major keys. There are cases where it is not suitable during 7th chord in minor keys.
Harmony suitable for a duet based on 1 total tone from chord and scale, the nearby 1 below (+ Oct. below the input pitch and chord root); it can produce a
1Blw+UnsD+Bass
feeling of movement.
Harmony suitable for a duet based on 1-tone chord, 1 below, (priority on character) (+ Oct. below the input pitch and chord root). This setting skillfully
1Blw.Far+UnsD+Bass
expresses the chord character.
Harmony based on 3 total tones from chords and scales, 3 above; it can produce a feeling of movement. Basically it generates harmonies within an octave. It
3Abv.Jazz
is suitable for low pitched vocals.
3Abv.Chordal
Harmony based on 3-tone chord, 3 above; it is suitable for backing chorus parts. It is also good for low pitched vocals.
Harmony based on 3 total tones from chords and scales, 3 above; it handles a major triad as add 6th chord. Because it handles the major second as a scale
3Abv.JazzPara
tone in major triads, it can also provide passing tones. Basically it generates harmonies within an octave. It includes the effect of creating parallel motion of a
half tone in certain conditions. It is suitable for low pitched vocals.
Harmony based on 3 total tones from chords and scales, 3 above; it handles a major triad as add 6th chord. Since it handles the major second as a scale tone
in major triads, it can also provide passing tones. Because it adds a major second as a scale tone to harmony during 7th chords, it provides a passing tone
3Abv.JazzBluesPara
during 7th chords. Suitable for 3-tone chord blues or for country rock in major keys. Basically it generates harmonies within an octave. It includes the effect of
creating parallel motion of a half tone in certain conditions. There are cases where it is not suitable during 7th chord in minor keys. It is suitable for low pitched
vocals.
Harmony based on 3 total tones from chords and scales, 2 above and 1 below; it can produce a feeling of movement. Basically it generates open harmonies
2Abv&1Blw.WideH
of an octave or more. It is suitable for low pitched vocals.
Harmony based on 3 total tones from chords and scales, 2 above and 1 below; it can produce a feeling of movement. Because it combines elements suited
for duets, HARM. 1, 2 and 3 can be independently selected for use for duets. It can also be used for octave transposing. Basically, the highest tone (HARM.1)
2Abv&1Blw.forDuo
is an octave above the lowest tone (HARM.3), and this tone (HARM.1 or HARM.3) handles the major second as the scale tone in major triads. (You should be
careful, however, depending on the song.) It is suited for low pitched vocals in situations where all harmonies are used for a quartet.
Harmony based on 3 total tones from chords and scales, 2 above and 1 below; it handles a major triad as add 6th chord. Because it handles the major
2Abv&1Blw.Jazz
second as a scale tone in major triads, it can also provide passing tones. Basically, the highest tone (HARM.1) is an octave above the lowest tone (HARM.3).
Each of its tones is treated as an element, so it can be used for duets or trios. It is suitable for low pitched vocals.
Harmony based on 3 total tones from chords and scales, 2 above and 1 below; it can produce a feeling of movement. Its harmony range tends to be lower
2Abv&1Blw.WideL
than that of 2Abv&1Blw.WideH. Basically it generates open harmonies of an octave or more. It is suitable for low pitched vocals.
Harmony suitable for a trio based on 2 total tones from chords and scales, 2 above (+ Oct. below the input pitch); it handles a major triad as add 6th chord.
2Abv+UnsD.Modal6th
Because it handles the major second as a scale tone in major triads, it can also provide passing tones. It is suitable for low pitched vocals.
Harmony suitable for a trio based on 2 total tones from chords and scales, 2 above (+ chord root); it handles a major triad as add 6th chord. Because it
2Abv+Bass.Modal6th
handles the major second as a scale tone in major triads, it can also provide passing tones. It is suitable for low pitched vocals.
Harmony suitable for a duet based on 1 total tone from chord and scale, the nearby 1 above (+ Oct. below the input pitch and chord root); it can produce a
UnsU+1Abv+Bass.Open
feeling of movement.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it handles the major second
1Abv&2Blw.Jazz
as a scale tone in major triads, it can also provide passing tones. Basically it is a closed harmony within an octave.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it handles the major second
1Abv&2Blw.80s
as a scale tone in major triads, it can also provide passing tone. With priority on the chord’s character, it is good for broadening the sound in which Maj7 and
m7 chords are often used. Basically it generates closed harmonies within an octave.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Since it handles the major second as a
1Abv&2Blw.Blues
scale tone in major triads, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during 7th chords, it provides a
passing tone during 7th chords. Suitable for 3-tone chord blues in major keys or for country rock. Basically it generates closed harmonies within an octave.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Because it handles the major second
as a scale tone in major triads, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during 7th chords, it provides
1Abv&2Blw.ChordalBlues
a passing tone during 7th chords. Suitable for 3-tone chord blues in major keys or for country rock. With priority on the chord’s character, it is good for
broadening the sound in which Maj7 and m7 chords are often used. Basically it generates closed harmonies within an octave.
Harmony based on tone chords and scale tones used as duet, 1 above and 2 below; it can produce a feeling of movement. HARM.1 is a tone above and
1Abv&2Blw.Chordal
nearest the input pitch. HARM.2, tone which is below the input pitch and nearest the input pitch, handles a major triad as add 6th chord. HARM.3 is harmony
with priority on the chord character of the lower notes. Because it handles the major second as a scale tone in major triads, it can also provide passing tones.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. It handles a major triad as add 6th
1Abv&2Blw.Wide
chord. Since it handles the major second as a scale tone, it can also provide passing tones. Basically it generates open harmonies of an octave or more.
Harmony based on 3 total tones from chords and scales, 1 above and 2 below; it can produce a feeling of movement. Since it handles a major triad as add 6th
chord, and handles the major second as a scale tone, it can also provide passing tones. Because it adds the major second as a scale tone to harmony during
1Abv&2Blw.WideBlues
7th chords, it provides a passing tone during 7th chords. Suitable for 3-tone chord in major keys or for country rock. Basically it generates open harmonies of
an octave or more.
PSR-S970/S770 Data List
70

---

...

Эта инструкция также подходит к моделям:
Музыкальные инструменты - PSR-S970 (983.47 kb)

Скачать инструкцию

Чтобы скачать, введите 2 цифры: