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Фрагмент инструкции
GAIN: Controls the input sensitivity of the BassKick preamp. Adjust to match your instrument’s output level. Higher gain settings produce punchy rock sounds. MID: Determines to what extent the midrange is boosted or cut. TREBLE: Controls the upper frequencies and subsequently the crispness and overtone content in your bass sound. For a warmer sound, this control is situated right after the input stage in the signal chain. In other words, it also influences preamp saturation. MAINS: AC power switch. 1.0 CONNECTIONS AND CONTROLS 0 5 10 -5 +5 GAIN BASS TREBLE MASTERSOUND MATRIX 1 2 3 INPUTS ACTIVE PASSIVE 100 WATTS BASSAMPLIFIER OFF -5 +5 MID -5 +5 5 0 10 MAINS SOUND MATRIX: Use this rotary knob for quickly selecting from the different fundamental sounds. GAIN: Controls the input sensitivity of the BassKick preamp. Adjust to match your instrument’s output level. Higher gain settings produce punchy rock sounds. MID: Determines to what extent the midrange is boosted or cut. TREBLE: Controls the upper frequencies and subsequently the crispness and overtone content in your bass sound. For a warmer sound, this control is situated right after the input stage in the signal chain. In other words, it also influences preamp saturation. MAINS: AC power switch. 1.0 CONNECTIONS AND CONTROLS MASTER: Controls the BassKick’s stage volume. The LINE OUT jack signal level is not affected by this control. The DYNACLIP power amp circuitry kicks in at higher volume levels, adding an aggressive edge to your bass tone. ACTIVE INPUT: For basses with high output levels, such as instruments with active electronics or humbucking pickups. PASSIVE INPUT: For traditional basses featuring passive pickups and circuitry. BASS: This voicing control is used to define the bottom end. In center position (12 o’clock) the signal remains unaffected Ser. No. 230 V~ 117 V~ 100 V~ T 1 A SB 2000 mA SB 2500 mA FUSE Max. powerconsumption260 VA SPEAKERS MIN. IMP. 4 Ohms CAUTION! TO PREVENT THE RISK OF FIRE AND SHOCK HAZARD DON.T EXPOSE THIS APPLIANCE TO MOISTURE OR RAIN. DO NOT OPEN CASE; NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. Leave enough space for proper ventilation! FX-LOOP RETURN SEND BALANCED MADE IN ST. WENDEL / GERMANY 50 - 60 Hz PHONES LINE OUT PHONES: Plug your headphones into this jack. Whenever this jack is occupied, the BassKick speaker output is automatically muted. SPEAKERS: Use this output to MAINS SOCKET: Connect the included Euro-norm mains cable to this socket. The fuse holder is integrated in the socket; use specified replacement fuses only! connect external speakers/cabinets. Ensure the overall impedance is not lower than 4 ohms. In other words, you can connect an additional cabinet with a minimum impedance of 8 ohms. LINE OUT: Use this balanced output to send the signal to a mixing console or additional power amp. The signal routed to this jack is affected by the EQ section but not the MASTER control. FX RETURN: Connect this jack to your FX processor’s OUTPUT jack. FX SEND: Connect this jack to the FX processor’s INPUT jack. BASSKICK-MANUAL 2.0 STANDARD SETUP / CABLE CONNECTIONS ENGLISH FX Devices Mixing Console Phones BALANCED LINE OUT SEND RETURN SPEAKER OUT 0 5 10 -5 +5 GAIN BASS TREBLE MASTERSOUND MATRIX 1 2 3 INPUTS ACTIVE PASSIVE 100 WATTS BASSAMPLIFIER OFF -5 +5 MID -5 +5 5 0 10 MAINS PHONES OUT 3.0 OPERATING THE BASSKICK 303 3.1 THE SOUNDMATRIX BassKick 303 Sound II: The SoundMatrix is a new type of sound filtering system that lets you dial in diverse basic tonal settings while ensuring the response is always musical. Furthermore, these basic sounds can be called up very quickly and easily. GRAFIC EQ The following three diagrams illustrate the three The typical slap sound - well-defined and precise. fundamental sounds of the SoundMatrix as specific curves on a 32-band graphic equalizer. In practice, however, the BassKick 303 Sound III: SoundMatrix will always sound better; its filters deliver a more harmonic, homogeneous result with less noise. GRAFIC EQ BassKick 303 Sound I: This sound delivers the warmth and tone for finger-style playing, especially when used with fretless basses. Slight preamp overdrive adds to the flavor. (See SECTION 3.2, ”THE GAIN SETTING”) The modern all-round sound, suitable for all playing styles. Deactivate the SoundMatrix by turning the rotary knob to OFF. The BassKick EQ section remains active at all times. GRAFIC EQ BASSKICK-MANUAL 3.2 THE INPUT AND EQ SECTIONS While the SoundMatrix enables you to quickly and effectively select drastically modified sounds, the BassKick EQ section serves primarily to adapt your bass setup to the room as well as to the instrument you are using. You can of course also use the EQ section for the creation of individual sounds. (In this case, switch the SoundMatrix on occasionally to compare sounds to ensure the best results during your set when you select another sound.) Two factors have a major influence on the sound of your Ba...