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Фрагмент инструкции
In this case, the final output level is adjusted by the REC OUT control (master control section 9), and the STEREO L,R fader settings will have no affect. 6 STEREO OUT (L, R) This is the stereo output of the combined audio signals. Connect these jacks to the power amp that drives your main speakers. Alternatively, you can record the output from these jacks if you wish to use the STEREO L,R faders to adjust the audio level being recorded. 7 MONO OUT This is the MONO OUT output jack. The MONO OUT can be used for simple recordings of a live performance, for driving a sub power amp, or to check for phase cancellation. An internal jumper can be reconnected to change the location of the MONO OUT to post-ST fader. If this is done, the MONO OUT signal will be affected by the STEREO ON switch. Internal jumper wires can be changed to move the MONO OUT signal so that it is taken after the ST fader. If you would like this change to be made, consult with your dealer. ON ON INV INV SUM SUM SUM INV INV ON ON INV INV SUM SUM SUM L STEREO OUT R MONO OUT L STEREO OUT R MONO OUT 8 8 These are unbalanced jacks with a nominal output and impedance of +4dB/600.. (AUX 1 and 2 are pre-fader, and AUX 3 and 4 are post-fader.) 9 AUX RETURN (1L/MONO, 1R, 2L/MONO, 2R) These are unbalanced jacks with a nominal input level and impedance of +4dB/10 k.. These jacks are usually used to receive the audio returned from an effect unit such as reverb or delay, but they can also be used as supplementary inputs. If a plug is inserted only in L/MONO, the same signal will be sent to both the L and R buses. Rear panel POWER ON OFF PHANTOM OFFON 12 1 POWER switch This switch turns on the power of the mixer. When turning off the power of audio equipment, it is important to start with the device closest to the speakers. (Normally, this will be the power amp.) 2 PHANTOM switch This switch turns on/off the phantom power supply for all channels. Use this switch when you are using condenser microphones. When this switch is turned on, DC +48V will be supplied to pins 2 and 3 of each INPUT A XLR connector. If you do not need phantom power, be sure to leave this turned off. * It is safe to connect balanced dynamic microphones or line level devices even if this switch is left on, but connecting unbalanced devices or devices whose transformers are center-grounded will cause hum or malfunctions. 8 MIXING CONSOLE STEREO AUX SEND1 OUT 88 .................................... 88 AUX RTN2 AUX RTN1 AUX SEND4 AUX SEND3 AUX SEND2 Cassette Deck or DAT TAPE IN REC OUT ............................ ................................ .......................... .................. .................. .................... .................. Effects processor Application Example Specification s General specifications Maximum output level +24dB (STEREO L/R) @600., 0.5% THD at 1kHz +24dB (MONO OUT) @600., 0.5% THD at 1kHz +20dB (AUX SEND) @600., 0.5% THD at 1kHz Total harmonic distortion < 0.1% @+14dB 20Hz–20kHz (ST L/R, MONO, AUX SEND @600.) Frequency response 20Hz–20kHz +1dB, –2dB (ST L/R, MONO, AUX SEND @600.) Hum and noise (Average, Rs=150.) (Measured with DIN AUDIO) –127dB equivalent input noise –95dB residual output noise (STEREO L/R, MONO) –95dB residual output noise (AUX SEND 1–4) –88dB (STEREO, MONO) Master fader at nominal level, and all channel assign switches off. –63dB (67dB S/N) (STEREO, MONO) Master fader and one channel fader at nominal level. –78dB (AUX SEND 1–4) AUX SEND master fader at nominal level, and all channel assign switches off. –63dB (67dB S/N) (AUX SEND 1–4) AUX SEND master fader and one channel AUX at nominal level. Maximum voltage gain 84dB CH IN to STEREO OUT 84dB CH IN to MONO OUT 80dB CH IN to AUX SEND 1, 2 90dB CH IN to AUX SEND 3, 4 16dB AUX RETURN 1, 2 to STEREO OUT 16dB AUX RETURN 1, 2 to AUX SEND 1, 2 28dB TAPE In 1, 2 to STEREO OUT Crosstalk at 1kHz –70dB between input channels –70dB between output channels Gain control (input channel) Pad switch (input channel) 44dB variable (–60– –16dB) 0/20dB Input channel equalization ±15dB maximum boost or cut HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving * Turnover/rolloff frequencies: located 3dB below maximum boost/cut LED meters 10-segment LED . 4 POWER (–.) STEREO L/AUX SEND 1 (switchable) STEREO R/AUX SEND 2 (switchable) MONO/AUX SEND 3 (switchable) PFL or AFL/AUX SEND 4 (switchable) Channel peak indicators An indicator for each channel turns on when the pre-channel fader signal is 3dB below clipping. Phantom power +48V, DC Power supply/Power consumption US and Canadian model General model British model MX200-8 120V AC 60Hz 45W, MX200-12 120V AC 60Hz 55W MX200-16 120V AC 60Hz 65W, MX200-24 120V AC 60Hz 80W MX200-8 230V AC 50Hz 45W, MX200-12 230V AC 50Hz 55W MX200-16 230V AC 50Hz 65W, MX200-24 230V AC 50Hz 80W MX200-8 240V AC 50Hz 45W, MX200-12 240V AC 50Hz 55W MX200-16 240V AC 50Hz 65W, MX200-24 240V AC 50Hz 80W Dimensions (W . H . D) Dimensions (W . H . D) MX200-8 569 . 124.6 . 461.7 m...
Эта инструкция также подходит к моделям:Музыкальные инструменты - MX200-12 (1.43 mb)
Музыкальные инструменты - MX200-24 (1.43 mb)
Музыкальные инструменты - MX200-8 (1.43 mb)