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Фрагмент инструкции
Any number of switches may be ON at the same time, so you can route this talkback to a number of the console's busses simultaneously. ®TB (talkback) level control Adjusts the level of the talkback signal sent to the selected buss(es). © TB (talkback) ON switch Pressing this switch activates the talkback microphone plugged into the TB MIC connector allowing voice communication from the console operator to the STEREO, AUX, AUX 2 or AUX 3 busses according to the setting of the talkback assignment switches. @ CUE/PHONES control and PHONES Jack The CUE/PHONES control adjusts the level of the cue signal sent to the PHONES jack so you can set the most comfortable headphone monitoring level. The stereo phone jack accepts any standard stereo headphone set. •The STEREO cue signal appears in stereo at the phones jack, while the channel and AUX cue signals are monaural. VU meters and METER SELECT switches (AUX 1/AUX 2/AUX 3/CUE/MIX) The MC-series mixing console features four VU meters with built-in LED peak indicators for monitoring signal levels. The peak LED light at +14dB. The center meter pair (L STEREO R) continuously monitors signals on the main stereo program buss. The AUX 1/2/3 meter can be switched to monitor signals on the AUX 1, AUX 2 or AUX 3 busses by pressing the corresponding METER assign switch. The right meter can be switched between monitoring the CUE or MIX levels by pressing the CUE or MIX METER SELECT switch. REAR PANEL CONNECTORS AND CONTROLS TO PREVENT HAZARD OR DAMAGE, ENSURE THAT ONLY MICROPHONE CABLES AND MICROPHONES DESIGNED TO THE IEC268-15A STANDARD ARE CONNECTED. © POWER switch Flip up to turn the power ON, and down to turn the power OFF. The VU meter lamps will light when the power is ON. © PHANTOM MASTER switch Turn this switch ON to apply +48V DC to the LO-Z XLR-type input connectors when using phantom-powered condenser microphones. •NEVER turn the PHANTOM MASTER switch ON when using line-level sources connected to the LO-Z inputs. ® MIX OUT connectors The MIX OUT connectors (balanced XLR-type and unbalanced phone) carry the mono MIX outputs signals. Signal levels are the same as for the stereo OUT connectors. © AUX SEND (1, 2 & 3) jacks These jacks deliver the AUX 1, AUX 2 and AUX 3 mixes, respectively, to feed an external effect device or power amplifier. Nominal output level /impedance is +4dB/10k£X 7 © AUX RTN 1 & AUX RTN 2 jacks The mono or stereo output from effect units fed by the AUX SEND jacks can be returned to the main stereo program mix via these jacks. Note that each AUX RTN offers independent return inputs for the left and right busses, accommodating the return signal from effect units featuring stereo outputs. Nominal input level/ impedance is +4dB/600£lJ © AUX SUB IN & ST SUB IN jacks These five jacks permit “cascading” two MC-series mixing consoles to increase the number of available input channels. The AUX OUT jacks from the first (slave) console should be connected to the corresponding AUX SUB IN jacks of the second (master) console, and the STEREO outputs from the slave console should be connected to the corresponding ST SUB IN jacks on the master console. © INPUT CH INSERT IN/OUT Jacks These jacks permit inserting compressors, limiters or other types of external signal processing equipment between the head amplifier and EQ stage of each input channel. The jacks are tip-ring-sleeve types in which the tip is SEND (the output from the head amplifier), the ring is RETURN (the input to the EQ stage), and the sleeve is ground. External equipment may be inserted using “Y” cables which branch the SEND and RETURN lines from a tip-ring-sleeve phone plug to two separate mono phone plugs. •The INSERT OUT signals are factory-wired to be pre-EQ. This can be changed by internal jumpers to be post-EQ. • REFER THE ABOVE-MENTIONED REWIRING JOB TO QUALIFIED YAMAHA SERVICE PERSONNEL! INSERT OUT
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