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” It effectively integrates an 8x2 digital line-level mixer with the revolutionary digital effects capability pioneered by Yamaha in products such as the SPX90 Multi-effect Processor. Each and every parameter—from fader positions to effects and EQ settings—is fully programmable. Up to 30 complete system configurations can be stored in internal memory and recalled at the touch of a key for instant “scene” changes. External RAM cartridges provide an extra 67 memory locations. What’s more, the DMP7 is MIDI compatible. MIDI program change commands from external equipment cap, be used to automatically switch scenes, or a MIDI sequence recorder can be used to store mixdown and effects change operations in real time! If 8 inputs aren’t enough for your requirements, the DMP7permits digital cascading of 2 or more units to provide as many inputs as you need. The DMP7 is both a revolutionary production tool and “musical instrument” in its own right. In one compact, easy-to-use unit it offers more creative potential than has ever been offered in this field. In order to take full advantage of the tremendous potential offered by the DMP7, we urge you to read this operation manual thoroughly, and keep the “OPERATIONS SUMMARY” handy while you are familiarizing yourself with the DMP7. DMP7 Features • All-digital Signal Processing Analog signals are A/D-converted on entry into the' console, and are handled and processed in digital form right up to the D/A stage at the stereo outputs. In addition to providing extraordinary signal processing versatility, this ensures that maximum signal quality is maintained from input to output. • 3 Digital Effects Systems The DMP7 provides 3 effect sends (loops), each of which contains a high-performance internal digital multi-effect processor. Effects Sends 1 and 2 each provide access to 17 different effects including reverb, gate reverb, delay, echo, flange, phasing, tremolo and symphonic. Individual parameters controlling each effect may also be programmed. Effect Send 3 can feed either a 5-effect internal system or external signal processing devices via effect send and return patch points on the rear panel. • Reliable Multi-function Motorized Faders The channel, master, effect return and data entry faders are all motorized and digitally controlled. Like all other DMP7 parameters, fader settings can be memorized and recalled as needed. The faders physically move to the programmed positions, allowing visual confirmation of the mix. • Versatile Digital EQ Each DMP7 channel offers a versatile 3-band digital parametric equalizer. Each band permits frequency control, 15 dB of boost or cut, and bandwidth (Q) adjustment over a broad 0.1 —5.0 range. The high and low bands also offer peaking or shelving response selection. • Internal Stereo Compressor A separate digital stereo compressor system is internally provided for the stereo buss. Stereo compression of the master stereo signal is a must for many applications. With the DMP7 this.capability is built-in. • Memory The DMP7 features 30 internal memory locations which can store all console parameters. You can program and store 30 completely different processing configurations or "scenes," and recall them instantly whenever necessary. A cartridge slot is provided for an external Yamaha RÀM4 memory cartridge which can store 67 additional configurations. • MIDI Control Capability Stored configurations can be selected simply by sending the appropriate MIDI program change number to the DMP7. It can even be connected directly to a MIDI sequence recorder for real-time storage and playback of mixing and processing operations. For complicated sequences involving simultaneous fades, EQ changes, etc., each operation can be individually overdubbed on the sequence recorder. Then you simply play back the sequence as you would with any other MIDI compatible musical instrument, and the entire mixing/signal processing sequence is recreated in fine detail. * Optional MLA7 8-channel Microphone Amplifier. * SOLO mode for individual channel monitoring. * Programmable stereo panning control. * Effect, channel and stereo master peak meters. * 16 character x 2 line LCD display. * 2-digit 7-segment LED memory number display. * Memory protection. * Digital summing points on the streo output buss for cascading 2 or more DMP7s. * Foot-pedal output level control. * MIDI bulk dump capability. 2 CONTENTS PRECAUTIONS .............................................. 4 CONTROL PANEL AND CONNECTIONS ............ 5 SIGNAL FLOW AND FUNCTIONAL CONFIGURATION ....................................... 10 SECTION 1: GENERAL OPERATION .................. 12 THE FADERS ............................................. 12 CHANNEL ON KEYS ................................... 12 PAN .......................................................... 13 PHASE ...................................................... 13 EQUALIZATION .......................................... 14 ...