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Фрагмент инструкции
Good for finger-style playing Tweed Tweed-covered amp sound — use with the front single-coil pickup (blues, for instance) RSCrunch A warm “crunch” guitar setting for single-coil pickups NightDrv A deeper shade of purple. Single-coil sounds good here Ult.Funk Ultimate funky cutting sound Axe Bom Heavy metal with a doubling edge Doctor Wah-wah pedal halfway down Sold No Simulated high-quality tube amp Run Away Play a cutting sound using a pick Remains Double-neck 12-string sound Nostalgi Tube-based overdrive RealDst1 Distortion only, influenced by a large stack RealDst2 Distortion only, influenced by a famous small combo RealDst3 Power tube distortion sound RealDst4 Distortion only, influenced by echo on a smaller combo Acoustic guitar settings (AGTR) Heaven Reverb with treble boost for a spacious feel Stroke Echo and chorus — good for backing Solo For acoustic solos Blues For acoustic blues slide work 66 TASCAM DP-01 Owner’s Manual DP-01FX Appendix Arpeggio Acoustic picked arpeggios sound good with this setting 12String 12-string guitar sound (chorus and exciter) Crystal A crystal-clear sound, emphasizing the treble, and making the best of a not-so-good guitar Nashvill For that Nashville sound (“fat” acoustic) Mellow A mellow acoustic setting — simulates nylon guitar on steel strings, using a treble cut ChorVib A “thick” vibrato chorus sound TremSolo A stereo tremolo solo sound Bass guitar settings (BASS) These sound best with bass instruments — other sources may not give such a good effect. Miller Flanger — good for “chopper” bass Singing A “singing” bass tone (chorus and distortion). Progressive sound Fretless A fretless bass sound Chopper Useful for slap-style playing Heavy For heavy rock, etc. Distortion adds depth to the sound Peculiar A warm bass sound RockBass Distorted pick-bass setting with emphasized treble Vocal settings (VOCAL) De-Esser Removes sibilance (ess sounds) Chorist Choir sound using detuning Emphasis Adds emphasis to vocals to make them stand out Shout For loud distorted vocals Moody Moody feeling for quieter smooth vocal lines Response Echo vocal setting Proclaim “Echo plus” — a distinctive sound Quiverin A quavering voice with vibrato Duet For two (male and female) singers and harmony groups Lo-Fi Imitates low-fidelity equipment (high and low treated specially) Megaphon For “megaphone”-type sound Screamin Screaming sound using flanger Panning A panned stereo vocal sound Drum settings (DRUM) These sound good with rhythm machines, etc. Groove A groove setting with flanger Stepping Stepping beat — delay with a small amount of feedback TrnAroun Stereo “bouncing” setting GetSpace Drum reverb CsBottom Classic “bass heavy” sound Trem.Pad Another stereo bounce setting PerfrmEQ Echo and pan Lo-Fi Low fidelity for drums Reverb Reverberation only Comp. Compressor only Vibrato A vibrato effect Multi- Filter A creative low-pass filter effect TASCAM DP-01 Owner’s Manual 67 DP-01FX Appendix Reverb Reverb The reverb effect is available as an alternative to the external SEND/ RETURN loop with an external effect processor (see “Effect processor” on page 18). You cannot use both at the same time. Turning the reverb on and off • Press and hold the SHIFT key and press the REVERB key to turn the reverb on (the indicator lights) and off (the indicator is unlit). Using the reverb When the reverb is on, the mixer EFFECT SEND controls and the EFFECT RETURN control affect the amount of signal sent to the internal reverb from the tracks, and returned from the internal reverb unit to the stereo mix. When the reverb is turned off, the mixer EFFECT SEND controls and the EFFECT RETURN control affect the amount of signal sent to the SEND jack from the tracks, and returned to the stereo mix via the RETURN jacks. Setting the reverb type • Bring up the reverb screen by pressing the REVERB key: • Turn the TYPE control to select one of the different “flavors” of reverb: Hall, Room, Live or Studio. Each of these settings has a different quality and character. Setting the reverb time • With the reverb screen displayed, simply turn the PARAMETER control to change the time the reverb sound takes to die away, from 0.1 seconds to 5.0 seconds in 0.1 second steps. “Reverb” is short for “reverberation”— the sound produced by many short echoes off the walls of rooms, etc. 68 TASCAM DP-01 Owner’s Manual 4 : DP-01FX/CD Appendix About CD-R and CD-RW discs The DP-01FX/CD can use CD-R and CD-RW media, including CD-R and CD-RW Digital Audio media. CDR discs can be recorded once only. Once they have been used for recording, they cannot be erased or rerecorded. However, if space is available on the disc, additional material can be recorded. The pack aging of CDR discs will include one of the follow ing logos: By contrast, a CDRW disc can be used in much the same way as a CDR disc, but the last track or tracks recorded can be erased before the disc has been “finalized”, and the space on the disc can be re used for other recordings. The pack...
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